|The Pearl Necklace, oil on linen, 50x60cm|
|The Pearl Necklace, oil, 50x60cm. Detail|
|Italian Bobbin lace, around 1620. Used for ‘The Pearl Necklace’ painting|
I carefully and loosely attached the lace to a simply-made collar. The lace was so delicate I had to be extra careful and after the photo shoot remove the lace and put it away in its storage box, only taking it out once in a while when I was painting.
The lace is a bobbin lace, often seen in Dutch and English portraits in the early 17th century and imitates (more expensive) needle lace. It is very fine and ‘spidery’ in character and has a beautiful golden brown colour. I wonder whether this even brown colour is the original (and unusual) colour or perhaps a faded black. It is quite even however so perhaps it was meant to imitate gold as black would not have faded so evenly.
The curly and meandering pattern suggests an Italian origin although very similar types of lace were produced in Flanders at the time as well. In a Dutch painting by Nicolaes Pickenoy a similar lace is shown as the Italian lace I used. The lace in this painting was made in Flanders.
|Nicholaes Pickenoy, Portrait of Maria Swartenhont, 1627.|
|I created a simple collar using the antique and fragile lace and let my|
model wear it for the painting.
For an organised list of ALL blog posts that I wrote during the BP Travel Award project (2 years), please see this page on my blog!