ART GIVES SAME LEVEL OF PLEASURE AS BEING IN LOVE - NATIONAL ART PASS

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For anyone who had doubt about why we create and enjoy art...

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RWA 162 Open Exhibition

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Some pictures of the Private View of the 162d Open Exhibition of the Royal West of England Academy of Art. The exhibition is open until 7 December 2014 http://www.rwa.org.uk/whats-on/exhibitions/2014/10/162-annual-open-exhibition/ The first main exhibition space Me in front of my painting ‘Trapped’ which was hung in the first main hall! The wall with my picture on the bottom row Other posts on the RWA Open exhibitions: RWA 162d Open Exhibition 2014 RWA 161st Open Exhibition 2013 RWA 160th Open Exhibition 2012 RWA 159th Open Exhibition 2011
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As good as finished but without a title yet, so for now, it is called ‘The Blue Dress' oil on linen, 50x60cm This painting was inspired by a condition called POTS , something I have lived with all of my adult life. POTS is a fairly unknown condition of the autonomic nervous system which makes you dizzy and faint, at best, and wheelchair/bed bound at worst. I wanted to express the feeling of dizziness and loneliness in a painting. For this painting I looked at medieval art, like Fra Angelico’s architecture and drapery, Vermeer’s use of blue, and of light, I picked pieces from Blenheim Palace and my imagination to put this all together in a vision of Alice in Wonderland-styled confusion and dizziness. For more on POTS, check out the patient charity STARS Edit spring 2012: I did some more work on it, here is the final image:
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The Pearl Necklace

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This is the last painting in the series ‘The Four Ages of Woman’ which shows a woman in four stages of her life, each painted as they are, as truthfully and honestly as I could. Each are wearing an authentic piece of early 17th century lace, shaped in a collar often seen in early 17th century fashion. The lace and the modern women are connected in these paintings. The Pearl Necklace, oil on linen, 50x60cm The Pearl Necklace, oil, 50x60cm. Detail Italian Bobbin lace, around 1620. Used for ‘The Pearl Necklace’ painting I carefully and loosely attached the lace to a simply-made collar. The lace was so delicate I had to be extra careful and after the photo shoot remove the lace and put it away in its storage box, only taking it out once in a while when I was painting. The lace is a bobbin lace, often seen in Dutch and English portraits in the early 17th century and imitates (more expensive) needle lace. It is very fine and ‘spidery’ in character and has a beautiful golden ...
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