Sophie Ploeg

 Two pastel paintings I’ve been working on recently. Paper Bag and Lace, 24x30cm, pastel Paper Bag and Ribbons, 24x30cm pastel

The Guest Oil on linen 40x50cm / 24x20”

New work, just off the easel The Shawl Oil on linen 24x48” Some details...

Pay It Forward PRINCIPLE GALLERY ALEXANDRIA 5 September - 10 October I am delighted to, once again, join the Women Painting Women exhibitions held annually in the US and sometimes Europe. Last year I was invited to exhibit a few pieces at Art Exposure Gallery in Glasgow, and this year I am proud to join a wonderful group of artists at Principle Gallery in Alexandria, Virginia, US. The ‘movement’ describes itself as such on their blog: "Women Painting Women" explores how contemporary women painters are handling women as subjects. The blog was founded by artists Alia El-Bermani, Diane Feissel and Sadie Valeri.” This year’s exhibition is titled ‘Pay it Forward’ and a percentage of each sale will go to a charity of the buyer’s choosing. A catalogue will be available. My contribution to his exhibition is Looking Back oil on line 20x24” Artist represented in the Pay It Forward Exhibition are: Jennifer Balkan Mia Bergeron

There is an in-depth interview with me about my love of lace, my inspiration and painting practice, the addiction to dating lace, painting lace and my works for the BP Travel Award and other paintings on the blog ‘Lace News’ which me and other lace lovers follow. Click here to read it. Excerpt: Interview: Sophie Ploeg, “The Lace Trail”, National Portrait Gallery Posted on   June 25, 2014 by   lacenews The BP Portrait awards are given in the world’s most prestigious art competition for portraiture. Artist Sophie Ploeg won the  2013 BP Travel award , and her show ‘ The Lace Trail’  opens at the National Portrait Gallery in London on June 26th. Her work is truly remarkable. LaceNews took this opportunity to have an in-depth discussion with Sophie, delving into her artistry and her love of lace. LaceNews:  You must get many questions like, “Why portraits instead of some other form,” so let’s consider something different.  “Why lace?” What att...

Remotely (study) oil on linen 50x60cm BP Travel Award The Lace Trail For an organised list of ALL blog posts that I wrote during the BP Travel Award project (2 years), please  see this page on my blog!

Lace in Box Oil on linen on board 25x30cm A piece of 17th century Flemish lace. In a box. at Beaux Arts Bath

She Becomes Her Oil on linen 26x40” at the National Portrait Gallery, London until 21 September 2014 This painting was inspired by the works of Robert Peake the Elder (1551 -1619) who painted women in his typical Tudor ‘flat’ style - where there was more attention to dress than to individuality or facial features. In this painting I played with modern ideas about the way women get represented in (2-dimensional) modern media: idealised, flat and unattainable. At the same time there is a real woman behind it all (face mask). I played with 2-dimensionality (writing on the painting) and 3-dimensionality (realism). I created the costume myself, roughly inspired by late Tudor and Jacobean fashion but with modern, antique and vintage materials. A beaded ‘flapper’ cape from the 20s, golden lace from the 19th century, reproduction tudor buttons (that don’t function as buttons) and theatrical make-up. She Becomes Her, oil, 26x40”. Detail I created the costume for this painting...

The Long Wait Oil on canvas 24x40” Created as part of The Lace Trail Bp Travel Award 2013 This painting is not hanging at the National Portrait Gallery (space was limited) but will hopefully be included when the BP Portrait Award 2014 goes on tour to Sunderland and Edinburgh. The 21st century pregnant model is wearing a taffeta silk skirt set with pearls. The design of the pearl skirt has been taken from a portrait by Marcus Gheeraerts the Younger of an uknown pregnant lady which hangs in the Tate Gallery. I have tried to create connections between a modern 21st century pregnant woman and a woman in the same state from 400 years ago. Much has changed since Tudor times, but the wonder of new life will probably never cease to amaze. Marcus Gheeraerts the Younger, portrait of unknown Woman, ©Tate Gallery, London, 1595. The background design was inspired by the ‘Anne Boleyn Canopy’ (a lace ‘sheet’ or blanket) which is said to have been used for the chr...

This is the last painting in the series ‘The Four Ages of Woman’ which shows a woman in four stages of her life, each painted as they are, as truthfully and honestly as I could. Each are wearing an authentic piece of early 17th century lace, shaped in a collar often seen in early 17th century fashion. The lace and the modern women are connected in these paintings. The Pearl Necklace, oil on linen, 50x60cm The Pearl Necklace, oil, 50x60cm. Detail Italian Bobbin lace, around 1620. Used for ‘The Pearl Necklace’ painting I carefully and loosely attached the lace to a simply-made collar. The lace was so delicate I had to be extra careful and after the photo shoot remove the lace and put it away in its storage box, only taking it out once in a while when I was painting. The lace is a bobbin lace, often seen in Dutch and English portraits in the early 17th century and imitates (more expensive) needle lace. It is very fine and ‘spidery’ in character and has a beautiful golden ...

Repeating Patterns, oil on linen, 50x60cm The 3d painting in the series ‘The Four Ages of Woman’ is titled ‘Repeating Patterns'. The model, an artist friend, is wearing a ruff made from 17th century needle lace- inspired by many ruffs seen in 17th century portraits, like in Larkin’s portrait of Anne Clifford at the Portrait Gallery in London. My model is wearing what she wanted to wear and I painted her as honest and truthfully as I could, only adding the lace collar. On show at the BP Portrait Award 2014 , London, until 21 September 2014 A detail of her collar A detail Sophie working on the collar For an organised list of ALL blog posts that I wrote during the BP Travel Award project (2 years), please  see this page on my blog!

The Handkerchief Girl, oil on linen, 30x36” William Larkin, portrait of Lady Anne Cecil, 1614-18. ©English Heritage In early 17th century portraits we often see young women holding the fashion accessory of the day, a handkerchief. Especially the paintings by William Larkin (1580s-1619) show an abundance of hank ies. Larkin was only known as ‘The Curtain Master’ before more was found out about him. It was clear he was a master in painting fabrics. Inspired, I included typical elements from his paintings in my work: curtains, hankies and big dresses. The 21st century girl in the dress is young, looks slightly bored and reluctant. Her character does not match her glamorous outfit. She is the reluctant cover girl who is looking for her own identity. more info:  http://www.sophieploeg.com/the-handkerchief-girl.html For an organised list of ALL blog posts that I wrote during the BP Travel Award project (2 years), please  see this page on my blog!

The second in the series ‘The Four Ages of Woman’ is ‘A Fine Thread’ oil on linen, 50x60cm created for the BP Travel Award 2013 and exhibited within the BP Portrait Award 2014 at the National Portrait Gallery until the end of September The Lace I used for this painting is a stunning Flemish bobbin lace from around 1640. It is very fine and thin, showing the patterns so popular in the Netherlands at the time. This type of lace is regularly seen in portraiture of the time. See for example the portrait of Maria van Strijp , or the portrait of an anonymous young lady by Isaack Luttichuys and the portrait of a woman by Van der Vliet.  My model is a friend, a mother and very spirited and active woman. I painted her portrait with as much truth and integrity as I could. I did not change her appearance, her choice of clothes or hair. The only thing I added is the piece of lace, created by someone nearly 400 years ago. For an organised list of ALL blog posts that I wrot...

Yesterday I attended the private view of the annual exhibition of the Pastel Society, held at the Mall Galleries in London. It was very busy and hot but there was (and still is) a huge variety of pastel (and other dry media such as pencil, charcoal etc) on show.  I met up with my Facebook friend Merrie Curtiss-Fuller Dadd   which was lovely as I only knew her via facebook - until now. She has a wonderful pencil portrait in the show.  She also told me that, after I had left, my painting ‘Lace Lines’ received the ‘Red Dot’ - sold on opening night. Brilliant! Pastel Society annual Exhibition Mall Galleries The Mall, London http://www.mallgalleries.org.uk/index.php?pid=2&subid=198 10-21 June 2014 Open 10-5 every day. Admission £3 Here are a few pics Lace Lines, pastel, hanging wonderfully in the West Gallery at the Mall Galleries. Merrie’s portrait top left, my pastel painting bottom right. The crowd when I came in - it got busier and busier! ...

This is the final piece Sometimes something simple says more Brabant Lace Oil on linen 24x30cm available. price on request

Small detail of a small painting I am working on...

Small but nice ( I hope) Girl Sitting Oil on linen on board 24x30cm / 12x10” available. price on request

I am really proud and happy to share the news that my painting ‘Lace Lines’ has been selected for the annual exhibition of the Pastel Society. The exhibition will be held, as usual, at the Mall Galleries in London, from 10 - 21 June 10am -5pm daily. Entry £3. http://www.mallgalleries.org.uk/index.php?pid=2&subid=198 http://www.thepastelsociety.org.uk

Some of my lace collection, 17th and 19th century, used for my BP Travel paintings. Front right is a 19th century needle lace. Behind that and on the left is a 17th century reticella (Italian) and at the back, slightly darker coloured, is an Italian bobbin lace from around 1620.

This painting I did in-between my BP works. Hope you like it. Looking Back Oil on Linen 20x24” / 50x60cm Available. Price on request